News
Isaac Williams reveals the bridge between animal communication patterns and human understanding, where novel uses of AI take centre stage.
In his final editorial, William Milne, who has been Editor-in-Chief since December, explains how important Palatinate is for the student population.
Nearly a year after Labour's landslide victory that ended fourteen years of Conservative government, Oliver Watterson analyses Conservative strategy and how they are trying to rebuild.
For Julien Laurens, PSG were ‘unplayable’. Writing in The Times, Martin Samuel labelled PSG as ‘captivating’, but without the ‘galactico glitter’ of yesteryear. Some went further. Famously prone to ...
Gabriella Bell investigates why nostalgia plays such a formative role in our lives psychologically, revealing the advantages to the misunderstood phenomenon.
Durham University’s drug policy will shift from a ‘zero tolerance’ to a ‘harm reduction’ approach, after a decision by the University’s top policy body. The University’s Senate, which approved the new ...
Exams come to an end, British summertime appears for a few days, and Pride is celebrated. However, this year – and arguably throughout the last few years – it is clear that the celebrations have been ...
News Editor Abigail Tobias speaks to Green Party co-leader and winning University Challenge team member, Carla Denyer, about protest vs policy, housing, and campus free speech issues.
"Having read the series upon the precipice of my secondary school transition, Anne of Green Gables struck a chord with my younger self..." Lauren Evans explores the power of nostalgia through ...
Ms Reeves, no stranger to difficult fiscal decisions, must now decide which manifesto promises to fund and which to shelve. With ministers lobbying for departmental resources and fiscal discipline ...
I have a right to show my colour, darling’. Fashion editor Indigo Crane explores what lies beneath the dazzling appearance of drag.
A compelling exploration of memory through two beautifully contrasting technical styles”. Lydia Firth reviews the Baltic's latest exhibition.
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