Performances in N.Y.C. Advertisement Supported by Hans Otte’s “Book of Sounds,” Jan Lisiecki’s fresh take on Mozart piano concertos and the works of an overlooked composer are among our selections.

The Chattanooga Symphony & Opera continues its new Unspoken: Our Stories Through Sound arc with "a deeply evocative program rooted in remembrance, resurrection and the redemptive power of music" on ...

The cello has always held a special place in classical music. With its deep, human-like voice, it can sigh, sing, or roar, often carrying an emotional weight that few other instruments can match. No ...

Performances in N.Y.C. Advertisement Supported by Williams, best known for his film work, has a parallel career in classical music. His concerto, haunted by the ghosts of jazz past, is premiering at ...

Dvořák’s Concerto for Piano and Orchestra, Op. 33—his only in the genre—has been lambasted for being both too difficult and insufficiently virtuosic, as if its effect as a star vehicle is not worth ...

Classical concerts are commonly prefaced by announcements asking patrons to turn off cell phones and refrain from recording or photography during performances. It would be no big deal to add: "We also ...

The audience energy soared Thursday in Symphony Hall for an unannounced event: Nathalie Stutzmann’s longtime record label, Warner Classics, had set up a metallic forest of tall silver and black ...

To launch the 2023 season of the Spokane Symphony, Music Director James Lowe led the orchestra in the opening concert of his dreams. It featured the world’s most famous classical musician, cellist ...

Yet, as The Times remarked as part of a generally enthusiastic review of the latter, ‘Mr. Walton has not yet fully found his individuality’. When did Walton compose his Viola Concerto? In 1928, on a ...

Dvorak was excited to come to America when the invitation first came, but after three years — and many ups and downs — he was tired of the city, of the hectic schedule, and of not being able to write ...