In the half-century plus since it came out, The Byrds' Sweetheart of the Rodeo (Columbia Records, 1968) arguably has not received the accolades it deserves for its marriage of country music with rock ...
Now: I wouldn’t want to suggest Bradley Beesley is a cynical director or operates in bad faith, because I’ve seen some of his other work and it doesn’t suggest anything of the kind. (Nor am I crazy ...
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