Brandi Carlile's 'Returning to Myself' is a bravura turn bolstered by help from new writer-producer collaborators Andrew Watt ...
What happened when the girl became a god? That that’s the question looming over Taylor Swift’s latest album release seems all too fitting with the record’s mythology-heavy themes. “The Life of a ...
Springsteen: Deliver Me from Nowhere review: melancholic portrait adds little value to music biopics
Bruce Springsteen's music shines in Deliver Me from Nowhere. However, the rest of the movie leans too heavily into biopic ...
The Canadian Press on MSN
Music Review: Brandi Carlile looks inward on the great 'Returning to Myself'
It's been 20 years since Brandi Carlile released her self-titled debut album. After two decades of extensive collaborations ...
Hannah Frances “belongs in a wise old souls hall of fame,” said Chris DeVille in Stereogum. Like Sharon Van Etten or Joni ...
Khalid has released a new album, “After the Sun Goes Down,” showing a vibrant shift from his previous work. The 17-track collection, out Friday, explores love in its many forms, from lusty ...
Known for their “cool detachment,” the Cars found a musical sweet spot with spiky power pop buffed into a commercial sheen.
It’s axiomatic in the commercial theater that two shows always sell: “Fiddler on the Roof” and “The Sound of Music.” Why?
From one-listen reviews to polarizing scores, music criticism has traded patience for speed, leaving artists and audiences wondering how music is even measured today.
The Choral takes us to 1916, during World War I, where a choral society in a small Yorkshire town has lost most of its male ...
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