Film historian John Walsh tells IndieWire about his new book for the noir's 75th anniversary — including David O. Selznick's 11th-hour attempts to change Carol Reed's classic. Upon its release, the ...
Few films are as striking to look at or listen to as the British film noir “The Third Man.” Its shadow-soaked black-and-white palette, artfully askew camera angles and elaborately expressive editing ...
When passing judgment on their own work, filmmakers seldom find themselves in agreement with the critical consensus. For example, Orson Welles insisted that his best film was not “Citizen Kane” but ...
Some results have been hidden because they may be inaccessible to you
Show inaccessible results