Warning: This graphic requires JavaScript. Please enable JavaScript for the best experience. The afterlife of paintings — what happens to them and whose hands they ...
The title sentence is a charming English euphemism, usually used to apologize for one’s imminent departure or absence—generally to conceal one’s true purpose, such as going to use the toilet or going ...
29.2 x 42.4 cm. (11.5 x 16.7 in.) Brussels, Universal Exhibition, French Pavilion, 1897. Paris, Galerie Tanagra, Exposition Gérôme, sculpteur et peintre de l'Art ...
In the late 19th century, “there was not a house in France that did not have a print by Jean-Léon Gérôme,” said Katharine Albritton in The Art Newspaper. Yet “while Gérôme was popular in his time,” ...
REEL 2669: Biographical information; notes; correspondence; other correspondence and legal documents regarding the acquisition by the Smithsonian Institution of Ferris's collection of historical ...
38.1 x 45.72 x 12.7 cm. (15 x 18 x 5 in.) ...
Artibus et Historiae, Vol. 30, No. 59 (2009), pp. 145-158 (14 pages) The article explores the importance of different art media in Jean-Léon Gerôme's work by interrogating the connections between ...
Off-Ramp Contributor Marc Haefele stops by the Getty’s new exhibit – the biggest ever done on the French painter Jean Leon Gerome, whose realistic scenes tickled millions and ticked off the academy.
Eric Silver appraises a Jean-Leon Gerome sculpture of "Napoleon Entering Cairo." Eric Silver appraises a Jean-Leon Gerome sculpture of "Napoleon Entering Cairo" that was given to the guest's father as ...
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